This cubic frame structure is covered with metal meshes of varying density. The work refers to the architectural history of Villa Metzler and the Museum Angewandte Kunst — two sites that embody the tension between private residence and public institution.

This dynamic is translated into the structure of the sculpture: each side of the cube represents a different form of access. The varying densities of the mesh make visible a spectrum between private, semi-public and public, highlighting that access is not a fixed state but something that continuously shifts. The clear cubic form recalls the architecture of the museum, whose design is based on geometric principles and modular systems. The untreated metal surface draws attention to construction and permeability, while small, hand-tied connections subtly disrupt the rigidity of the form.

The work raises the question of how freedom is organised through spatial access — how boundaries are formed, transformed, and experienced.

Yağmur Rüzgar is a Berlin-based multidisciplinary artist working at the intersection of art, design and space. Her practice explores site-specific narratives and the hidden layers of cultural and architectural contexts, translating them into sculptural and spatial works.